But Mrs. Gereth had obviously now had some practice in following queer movements prompted by queer feelings. She resigned herself, though she fingered the paper a moment longer. She appeared to hesitate; then she brought out: "You couldn't then, if I release you, make your message a little stronger?" "Oh, I mean for myself!" Fleda said impatiently.!

"You don't—a—live anywhere in particular, do you?" the young man went on. He looked conscious as soon as he had spoken; she could see that he felt himself to have alluded more grossly than he meant to the circumstance of her having, if one were plain about it, no home of her own. He had meant it as an allusion of a tender sort to all that she would sacrifice in the case of a quarrel with his mother; but there was indeed no graceful way of touching on that. One just couldn't be plain about it. "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"

"He has done it," said Mrs. Gereth, turning her eyes avoidingly but not unperceivingly about her and in spite of herself dropping an opinion upon the few objects in the room. Fleda, on her side, in her silence, observed how characteristically she looked at Maggie's possessions before looking at Maggie's sister. The girl understood and at first had nothing to say; she was still dumb while Mrs. Gereth selected, with hesitation, a seat less distasteful than the one that happened to be nearest. On the sofa near the window the poor woman finally showed what the two past days had done for the age of her face. Her eyes at last met Fleda's. "It's the end." Mrs. Gereth continued to stare out of the window, and her stillness denoted some success in controlling herself. "If he's not lost, why are you unhappy?" Mrs. Gereth looked dark and void. "Yes, but I hadn't heard from you then that you could invent nothing better than, as you call it, to send him back to her."